By K. David Jackson
To consultant readers throughout the eclectic paintings shaped by way of Pessoa's heteronyms, ok. David Jackson advances the assumption of "adverse genres" revealing style clashes to be primary to the author's paradoxical and contradictory corpus. throughout the invented "coterie of authors," Pessoa inverted the standard relationships among shape and content material, authorship and textual content. In an encouraged, paradoxical, and every now and then absurd blending of cultural referents, Pessoa chosen genres from the eu culture (Ricardo Reis's Horatian odes, Álvaro de Campos's worship of Walt Whitman, Alberto Caeiro's pastoral and metaphysical verse, and Bernardo Soares's philosophical diary), into which he inserted incongruent modern rules. by means of developing a number of layers of authorial anomaly Pessoa breathes the energy of modernism into conventional historic genres, extending their expressive variety.
Through examinations of "A Very unique Dinner," the "Cancioneiro," love letters to Ophelia Queirós, "The experience of the Anarchist Banker," Pessoa's choice of quatrains derived from Portuguese renowned verse, the booklet of Disquietude, and the most important poetic heteronyms, Jackson enters the orbit of the artist who exchanged a typical existence for a global of the imagination.
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Adverse Genres in Fernando Pessoa by K. David Jackson